Poem - The Laburnum Top - Class 11 English Hornbill

The Laburnum Top - Text

Laburnum Tree

The Laburnum top is silent, quite still
In the afternoon yellow September sunlight, A few leaves yellowing, all its seeds fallen.

Till the goldfinch comes, with a twitching chirrup
A suddenness, a startlement, at a branch end.
Then sleek as a lizard, and alert, and abrupt,
She enters the thickness, and a machine starts up
Of chitterings, and a tremor of wings, and trillings —
The whole tree trembles and thrills.
It is the engine of her family.
She stokes it full, then flirts out to a branch-end
Showing her barred face identity mask

Then with eerie delicate whistle-chirrup whisperings
She launches away, towards the infinite

And the laburnum subsides to empty.

Word Meaning of the Poem Laburnum Top

Word	Meaning
laburnum	Laburnum, sometimes called golden chain or golden rain, is a genus of two species of small trees in the subfamily Faboideae of the pea family Fabaceae.
goldfinch	a kind of bird, a brightly coloured finch with yellow feathers in the plumage.
twitching	1a : a brief spasmodic contraction of the muscle fibers. b : a slight jerk of a body part. 2 : an act of twitching especially : a short sudden pull or jerk.
chirrup	make high-pitched sounds; "the birds were chirping in the bushes"
startlement	the state of being strongly impressed by something unexpected or unusual. the look of startlement in her eyes when she found herself at the wedding seated next to her ex-boyfriend.
chittering	a chirping noise
tremor of wings	an involuntary quivering movement(of wings)
trillings	produce a quavering or warbling sound, chirruping, twittering
tremble	(of a person, a part of the body, or the voice) shake involuntarily, typically as a result of anxiety, excitement, or frailty.
thrill (v.)	cause (someone) to have a sudden feeling of excitement and pleasure.
stoking (the engine)	add coal or other solid fuel to (a fire, furnace, boiler, etc.).
flirt out	(of a bird) wave or open and shut (its wings or tail) with a quick flicking motion.
barred face identity mask	mask having bars or lines like pattern
eerie	strange and frightening.

Summary of the Poem

Goldfinch Bird

The poem “The Laburnum Top” by Ted Hughes describes the mutual relation between a Laburnum Tree and a goldfinch. Both of them are yellow in colour (the tree is yellow because of its flowers) and quite beautiful in appearance.

The Laburnum Tree is beautiful, large but quite silent and getting naked because of winter. However, the bird, Goldfinch appears from the sky and soon the whole tree is surrounded by the sweet chirps of the bird and her young ones. It was previously dead and now it seems to be alive and shaking until the bird vanishes away again. Dead silence prevails.

The poem has been divided into three stanzas. There is not set rhyme scheme. The first stanza describes the tree before the bird reaches it. The second stanza describes the coming of the bird and the final stanza tells the condition of the tree when the bird goes away.

In the first stanza, the poet says that he saw a Laburnum Tree (with its yellow flowers). In his words, “The Laburnum top is silent“. The tree is still and looks dead-like in the day time of September. Even the sunlight is also yellow. As it is the time of autumn, the leaves of the tree have turned yellow and its seeds have fallen off it.

In this stanza, the poet uses the image “yellow” colour repeatedly. First the tree’s flowers are yellow, then its leaves have also turned yellow and the sunlight is also yellow.

The yellow color symbolises beauty (because of flowers, which, though have fallen off in the form of seeds), death (because of yellow leaves) as well as silence (day time without rain or wind). In the whole stanza, the poet is trying to describe the miserable condition of the Laburnum Tree which is silent, dying and without seeds (useless).

The death-like scene however changes as soon as the goldfinch comes with a twitching chirrup. Goldfinch is a bright yellow coloured bird. Twitching chirrup means “short chirping sounds”.

The bird is quite precautious while sitting at a branch end of the tree and has sudden quick movements. Perhaps it is looking out for any danger that might be there.

It then goes into the thick bark of the Laburnum Tree smoothly but abruptly with alertness. As soon as she enters the tree (her nest is inside the Laburnum Tree), a machine starts up of chitterings, and a tremor of wings, and trillings.

The image of machine here refers to the young ones of the bird. A machine makes a lot of noise when it starts. Similarly, when the young birds see their mother they start chirping like a machine, flattering their wings in joy as their mother has come with food. They were hungry as well as sad being far from their mother.

Now the whole tree trembles and thrills because of the mother bird and her young ones. The poet probably wants us to feel how a solitary and silent tree becomes alive because it has given space to the bird and her young ones. The birds have gotten shelter and the tree in return has got life.

The goldfinch is thus the engine of her family which includes the Laburnum tree as well. According to the poet it fills them with fuel i.e. it gives food to the young ones and thrill to the tree. Having done that, she again flies to a branch-end. Only her dark-coloured striped face is visible as it is yellow and hence becomes invisible in the yellow leaves of the tree.

Reaching the branch-end of the tree, it makes strange but sweet chirping sounds and then begins his journey towards the infinite i.e. the sky and the Laburnum Tree again becomes silent again.

The Laburnum Top Questions and Answers

1. What do you notice about the beginning and the ending of the poem?
   
   
   ANSWER: The first line of the poem, "The Laburnum top is silent, quite still" and the last line of the poem, "And the laburnum subsides to empty" indicate that before the arrival and departure of the bird the laburnum top was quiet and still. 
   
   
   
2. To what is the bird’s movement compared? What is the basis for the comparison?
   
   
   ANSWER: The bird's movement is compared to that of a lizard. When the bird comes back with food to feed the chicks and enters the thickness of the laburnum top, the way the bird moves reminds the poet of the movement of a lizard in its abruptness, sleekness and alertness.  
   
   
   
3. Why is the image of the engine evoked by the poet?
   
   
   ANSWER: "It is the engine of her family", the engine is a key component in a machinery that gets the job done. The arrival of the bird and the trillings of the young checks in response make the tree alive like an engine. The tree makes it possible the bird and her chicks are safe and are able to move forward in the life process.
   
   
   
4. What do you like the most about the poem?
   
   
   ANSWER: I like the imagery of laburnum tree as the engine of the goldfinch family coming to life with tremors and trillings when the bird arrives to feed her young chicks. The use of literary devices like simile and alliterations make the poem more sonorous, appealing and meaningful.
   
   
   
5. What does the phrase "her barred face identity mask" mean?
   
   ANSWER:

   

   British Goldfinch with 'barred face identity mask'
   

   The phrase "her barred face identity mask" means the unique pattern of goldfinches found in the United Kingdom where the poet belonged to. The goldfinch birds have a distinct mask like pattern on their head as if wearing a mask. 
   
   
   

Essay-03 - Patterns of Creativity

Class Notes - English - XI - Electictive - Woven Words - Essay:03

UNDERSTANDING THE TEXT

1. How does Shelley’s attitude to science differ from that of Wordsworth and Keats?
   
   
   
   Wordsworth in his poem 'A Poet's Epitaph' looks at science with a critical mind. Even in the poem 'Tables Turned' he praises nature and appreciates the beauty it gives to the humanity: 
   
   "Up! up! my Friend, and quit your books;"
   "Enough of Science and of Art;
   Close up those barren leaves;
   Come forth, and bring with you a heart
   That watches and receives."
   
   

   Wordsworth requests us to be more inclined towards Nature because there is more wisdom in it. Keats in his poem 'Lamia' talks of two facets of human nature: one is sensual and other emotional. Keats calls philosophy destructive and pleasure unreal and calls them inseparable. However, it is not that one must take Wordsworth's and Keat's take as absolute. Shelley, for instance, is of a different opinion. For scientists it is best if they consider Shelley. A. N. Whitehead's testimony called Shelley's attitude to Science, an opposite pole to that of Wordsworth. He loved science, and was never tired of expressing in poetry the thoughts, which it suggests. Science symbolised to him joy, and peace, and illumination.
2. ‘It is not an accident that the most discriminating literary criticism of Shelley’s thought and work is by a distinguished scientist, Desmond King-Hele.’ How does this statement bring out the meeting point of poetry and science? 
   
   
   A Desmond King-Hele, a British physicist, is the author of Shelley: His Thought and Work. He said that Shelley's attitude to science emphasises the surprising modern climate of thoughts in which he chose to live. Shelley describes the mechanisms of nature with a precision and wealth of detail. It is a perfect fusion of poetry and science. A scientist critically reviewing a poet's work on science. S. Chandrasekhar points out two examples from Shelley's poetry in support of what is said about him. He points out that in his poem Cloud, a creative myth, a scientific monograph, and a gay picaresque tale of cloud adventure are fused together. Then he cites an example from Prometheus Unbound, which has been described by Herbert Read as the greatest expression ever given to humanity's desire for intellectual light and spiritual liberty.
3. What do you infer from Darwin’s comment on his indifference to literature as he advanced in years? 
   
   
   Darwin, a great scientist, known for his work On the Origin of Species, enjoyed literature only until he was 30, as he said. He enjoyed poetic works of Byron, Coleridge, Shelley, etc. immensely. Shakespeare's historical plays gave him much pleasure. However, as he advanced in his age to reach the benchmark of 30, the charm faded and he began losing interest in pictures and music that once gave him great delight. He tried reading poetry and Shakespeare; however, he found it so intolerably dull that it nauseated him. It is surprising that the answer to this change is in Darwin's own statement. His mind had become some kind of a  grinding machine to process laws out of facts. It caused atrophy of that part of the brain on which higher tastes depended. It was hard for Darwin to infer it as well and, thus, his romance with literature died away.
4. How do the patterns of creativity displayed by scientists differ from those displayed by poets? 
   
   
   Poets are the bards celebrating the nature surrounding them. While, scientists are the ones to harvest nature and its mechanism and mark inventions. Poets such as Wordsworth and Keats criticise humans of exploiting nature. Whereas, scientists on the other hand utilize the given resources of nature to create and invent. However, it is not that there is an enmity between poets and scientists. Shelley said, undoubtedly the promoters of utility, in this limited sense, have their appointed office in society They make space and give time.Here we have Darwin, who enjoyed literature immensely, however, until he was thirty. He said later,' My mind seems to have become a kind of machine for grinding general laws out of large collections of facts but why this should have caused the atrophy of that part of the brain alone on which the higher tastes depend.Thus, it can be understood, while the poets celebrate the present and arrest it making it all immortal, the scientists create and invent leading us to a tomorrow, thus, marking a difference.
5. What is the central argument of the speaker?
   
   
   In the essay patterns of creativity, S. Chandrasekhar tries to figure out the reason for the difference in the patterns of creativity among the practitioners in the arts and practitioners in the sciences. He did not answer it, rather, he made an assortment of remarks that bore the answer. He cites examples explaining how poets and scientists view each other defining the difference in their views. There are poets such as Wordsworth and Keats who are worshippers of nature, who believe that humans sabotage nature by the technological advancement. However, there are poets like Shelley, who do poetry on science. It is difficult to segregate the views and put them into water tight compartments. Darwin, for instance enjoyed literature immensely as it gave him utmost joy, but only till the age of 30. W. B. Yeats, in praise of Shelley's A Defence of Poetry, called it the profoundest essay on the foundation of poetry in the English language The author of the essay, Chandrasekhar wonders in the end that why is there no such A Defence of Science written by a scientist of equal endowment. Perhaps the answer to the question he knew already.

TALKING ABOUT THE TEXT

1. ‘Poets are the unacknowledged legislators of the world’.
   
   
   Shelley in his famous essay, A Defence of Poetry, made the given statement. In his work, Shelley expressed his view on poetry and poets. The power of poetry and the beauty of it. It is true that poetry makes every thing immortal by arresting its enchanting beauty. It not just reflects, it has the power to ignite minds and bring change. Poetry inspires humanity. Like Shelley said, ? oets are...the mirrors or the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle and feel not what they inspire; the influence which is moved not, but moves.It is poetry that bears the future and inspire minds. It beholds the past and mirrors the present as well. Poets are the subtle revolutionaries of our society. In fact, not just poets but all the great authors as well. They are the force that drive the society to newness and are moral critics. They participate in the society not just as viewers, but they keep a watch and express their criticism or appreciation through their work.
2. Poetry and science are incompatible.
   
   
   There are two perspectives to every issue. While poets like Wordsworth and Keats condemn man of exploiting nature and moving towards science, Shelley is a scientific poet, who even in his poems like his Cloud. Shelley loved science and expressed it in his poetry.? It symbolised to him joy, and peace, and illumination. Charles Darwin, being such a great scientist was immensely fond of literature, especially in his youth. However, another scientist, Faraday, who was absolutely engrossed in his scientific experiments about electricity and made great invention. It is always difficult to conclude whether poets and scientists are compatible or not. There will be many such poets and scientists fond of science and poetry. While there will be many who are only concerned about their subject.
3. ‘On reading Shelley’s A Defence of Poetry, the question insistently occurs why there is no similar A Defence of  Science written by a scientist of equal endowment.’
   
   
   A person who is passionate about her/his subject is bound to praise it profoundly. The only difference might be in the medium of expression. While a poet chooses words to praise his subject, a scientist may choose an invention to express his passion. This is natural. Thus, it is so that Shelley came up with a writing piece and Faraday discovering the laws of electromagnetic induction and his discoveries led him to formulate concepts such as 'lines of force' and 'fields of force'. It is not that scientists do not defend their subject, Faraday did defend his discoveries by answering Gladstone that there was every probability of the government taxing the electricity soon. Just the medium one chooses to defend their subject matters.

APPRECIATION

1. How does the ‘assortment of remarks’ compiled by the author give us an understanding of the ways of science and poetry? 
   
   [answer same as that of Q.5. Modify the answer accordingly]
2. Considering that this is an excerpt from a lecture, how does the commentary provided by the speaker string the arguments together? 
3. The Cloud ‘fuses together a creative myth, a scientific monograph, and a gay picaresque tale of cloud adventure’— explain.

Poem 01 - The Peacock - English Elective Class XI Notes - Woven Words

Poem 01 - The Peacock

POEM COMPLETE TEXT

His loud sharp call

seems to come from nowhere.

Then, a flash of turquoise

in the pipal tree.

The slender neck arched away from you

  as he descends,

and as he darts away, a glimpse

  of the very end of his tail. 

I was told

that you have to sit in the veranda

  and read a book,

preferably one of your favourites

  with great concentration.

The moment you begin to live

inside the book

a blue shadow will fall over you.

The wind will change direction,

The steady hum of bees

In the bushes nearby

Will stop.

The cat will awaken and stretch.

Something has broken your attention;

And if you look up in time

You might see the peacock

turning away as he gathers in his tail

to shut those dark glowing eyes,

violet fringed with golden amber.

It is the tail that has to blink

for eyes that are always open.

THEME

The theme of this poem is the beauty of nature and the importance of being present in the moment to fully appreciate it. The peacock is used as a symbol of this beauty and is described in vivid detail, capturing the reader's attention and encouraging them to take notice of the world around them. The poem also suggests that we need to let go of distractions and be fully immersed in the present moment in order to truly appreciate the beauty that surrounds us.

SUMMARY OF THE POEM

At the outset of the poem, the poet portrays the peacock's grandeur and loveliness. Throughout the verses, the poet anthropomorphizes the peacock as a male entity, referring to him as 'he.' The bird's piercing cry is difficult to locate, as it appears to emanate from an indiscernible source. The sound actually comes from the peacock, which can effortlessly fly to the top of a pipal or peepal tree, where it is often hidden. Against the verdant background of the pipal tree, the peacock's distinct turquoise hue (a combination of blue and green) glimmers. When it senses a human watching it, it moves its slim neck and darts away, leaving behind only a fleeting glimpse of its tail.

The poet now describes a small ritual for seeing a peacock that she has been advised to follow. One should sit on the veranda and immerse themselves in a book, preferably a cherished favorite. Once the reader is fully absorbed in the book's world, a blue shadow will descend upon them, and the wind will shift, subtly drawing attention to the surroundings. The atmosphere grows tranquil ("The steady hum of bees /In the bushes nearby will stop").

The peacock's cry, similar to that of a cat, will be audible ("The cat will awaken and stretch"), drawing attention. If spotted in time, the observer may catch a glimpse of the peacock. The peacock gracefully turns away, its tail feathers closed like shut eyelids, revealing violet borders and golden amber fillers. "It is the tail that has to blink" (the motion of the tail swaying is likened to blinking), but "the eyes are always open," and the patterns never fade. The observer will feel a sense of inner radiance and stillness that is deep and profound.

The scene's depiction highlights the difficulty of seeing a peacock (underscoring the bird's significance), as peacocks are revered, sacred birds that are not frequently encountered in the world. In Indian culture, peacocks are considered celestial and symbolize beauty and power.

UNDERSTANDING THE POEM

1. Comment on the lines that make you visualise the colourful image of the peacock.
   
   
   The lines which help us visualise the colourful image of the peacock are as follows:
   “a flash of turquoise”, “A blue shadow will fall over you", “To shut those dark glowing eyes”, “Violet fringed with golden amber”.
   These lines give us a clear picture of the magnificent bird in all its glory.
2. What are the cues that signal the presence of the peacock in the vicinity?
   
   
   A loud sharp call, flash of turquoise, a disappearing tail end, a blue shadow, the wind changing its direction and the awakening of the cat and its stretch are an indication that a peacock is in the vicinity.
3. How does the connection drawn between the tail and the eyes add to the descriptive detail of the poem?
   
   
   The pattern on the tail of a peacock looks like eyes, but these eyes cannot be blinked. Rather the tail when contracted appears to give an illusion of blinking a lot of eyes together. This adds to the descriptive details of the poem.
4. How does the poem capture the elusive nature of the peacock?
   
   
   The poem captures the elusive nature of the peacock by describing its activities that signal its presence indirectly. For example in the opening line of the poem we hear “His loud sharp call”, or we get a “glimpse of the very end of his tail” in the last line of the first stanza.
   If someone tries his best to get a glimpse of the elusive bird, he “might see the peacock turning away as he gathers his tail”.
   Such a description presents a very elusive nature of the peacock.
5. The peacock is a colourful bird. How does the poem capture the various colours that its plumage displays?
   
   
   The poem captures the various colours of the peacock’s plumage by use of expressions like “turquoise”, “blue shadow”, “dark glowing eyes” and “Violet fringed with golden amber”. These expressions as we can see present the colours associated with peacocks very beautifully.

Poem-02 - Let Me Not to the Marriage of True Minds - English Elective Class XI Notes - Woven Words

Poem-02 - Let Me Not to the Marriage of True Minds by William Shakespeare

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no; it is an ever-fixed mark,
That looks on tempests, and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.

PARAPHRASE OF THE POEM

Let me not declare any reasons why two true-minded people should not be married. Love is not love which changes when it finds a change in circumstances, or bends from its firm stand even when a lover is unfaithful: Oh no! it is a lighthouse that sees storms but it is never shaken; Love is the guiding north star to every lost ship, whose value cannot be calculated, although its altitude can be measured. Love is not at the mercy of Time, though physical beauty comes within the compass of his sickle. Love does not alter with hours and weeks, but, rather, it endures until the last day of life. If I am proved wrong about these thoughts on love, then I recant all that I have written, and no man has ever [truly] loved.

Explanation

The poem is titled "Sonnet 116" and is a sonnet written by William Shakespeare. It is a love poem that celebrates the power and endurance of true love.

The poem begins with the speaker stating that true love is not hindered by external forces or impediments. The love described is not a love that changes with circumstances or that is affected by external influences. Instead, it is an "ever-fixed mark" that remains constant even in the face of adversity.

The speaker then goes on to compare true love to a star that guides wandering ships, emphasizing the importance and value of this type of love. The poem suggests that true love is a force that is not easily swayed by time or external factors.

The next stanza refers to the inevitable effects of time and aging, represented by "rosy lips and cheeks / Within his bending sickle's compass come." However, the speaker argues that true love is not subject to the same limitations and that it endures even in the face of aging and death.

Finally, the poem concludes with the speaker stating that if he is wrong in his beliefs about true love, then he has never written anything of value and no one has ever truly loved. This line reinforces the strength and conviction of the speaker's beliefs about love.

Overall, the poem celebrates the power and endurance of true love, emphasizing that it is a force that remains constant even in the face of adversity and the passing of time.

Imagery Used in the Sonnet 116

Sonnet 116 uses a variety of powerful and vivid imagery to convey the idea of enduring, true love.

In the first quatrain, the speaker uses the metaphor of a "marriage of true minds" to describe the nature of true love. This image evokes the idea of two people who are deeply connected and united in their love for one another.

The second quatrain uses a nautical metaphor to describe true love as an "ever-fixed mark / That looks on tempests and is never shaken." The image of a fixed mark or beacon that guides ships through storms suggests that true love provides stability and direction in difficult times.

The third quatrain compares true love to a star that guides lost ships, suggesting that love is a guiding force that leads people through the challenges of life. The image of the star is also associated with beauty and wonder, emphasizing the idea that true love is a precious and valuable thing.

In the final quatrain, the speaker uses the metaphor of Time as a "bending sickle" that inevitably takes away youth and beauty. However, the speaker argues that true love "bears it out even to the edge of doom," suggesting that it is an enduring force that remains steadfast in the face of aging and death.

Overall, the imagery used in Sonnet 116 emphasizes the strength, endurance, and guiding qualities of true love. By comparing love to enduring symbols such as a fixed mark, a star, and a beacon, the speaker creates a powerful image of love as a guiding force that can lead people through the challenges of life.

NOTES 

marriage...impediments (1-2): T.G. Tucker explains that the first two lines are a "manifest allusion to the words of the Marriage Service: 'If any of you know cause or just impediment why these two persons should not be joined together in holy matrimony'; cf. Much Ado 4.1.12. 'If either of you know any inward impediment why you should not be conjoined.' Where minds are true - in possessing love in the real sense dwelt upon in the following lines - there can be no 'impediments' through change of circumstances, outward appearance, or temporary lapses in conduct." (Tucker, p. 192). 

bends with the remover to remove (4): i.e., deviates ("bends") to alter its course ("remove") with the departure of the lover. 

ever-fixed mark (5): i.e., a lighthouse (mark = sea-mark).

Compare Othello (5.2.305-7): 

Be not afraid, though you do see me weapon'd;

Here is my journey's end, here is my butt,

And very sea-mark of my utmost sail. 

the star to every wandering bark (7): i.e., the star that guides every lost ship (guiding star = Polaris). Shakespeare again mentions Polaris (also known as "the north star") in Much Ado About Nothing (2.1.222) and Julius Caesar (3.1.65). 

Whose worth's unknown, although his height be taken (8): The subject here is still the north star. The star's true value can never truly be calculated, although its height can be measured. 

Love's not Time's fool (9): i.e., love is not at the mercy of Time. 

Within his bending sickle's compass come (10): i.e., physical beauty falls within the range ("compass") of Time's curved blade. Note the comparison of Time to the Grim Reaper, the scythe-wielding personification of death. 

edge of doom (12): i.e., Doomsday. Compare 1 Henry IV (4.1.141): 

Come, let us take a muster speedily:

Doomsday is near; die all, die merrily. 

_____ 

Sonnet 116 is about love in its most ideal form. The poet praises the glories of lovers who have come to each other freely, and enter into a relationship based on trust and understanding. The first four lines reveal the poet's pleasure in love that is constant and strong, and will not "alter when it alteration finds." The following lines proclaim that true love is indeed an "ever-fix'd mark" which will survive any crisis. In lines 7-8, the poet claims that we may be able to measure love to some degree, but this does not mean we fully understand it. Love's actual worth cannot be known – it remains a mystery. The remaining lines of the third quatrain (9-12), reaffirm the perfect nature of love that is unshakeable throughout time and remains so "ev'n to the edge of doom", or death. 

In the final couplet, the poet declares that, if he is mistaken about the constant, unmovable nature of perfect love, then he must take back all his writings on love, truth, and faith. Moreover, he adds that, if he has in fact judged love inappropriately, no man has ever really loved, in the ideal sense that the poet professes. The details of Sonnet 116 are best described by Tucker Brooke in his acclaimed edition of Shakespeare's poems: 

[In Sonnet 116] the chief pause in sense is after the twelfth line. Seventy-five per cent of the words are monosyllables; only three contain more syllables than two; none belong in any degree to the vocabulary of 'poetic' diction. There is nothing recondite, exotic, or metaphysical in the thought. There are three run-on lines, one pair of double-endings. There is nothing to remark about the rhyming except the happy blending of open and closed vowels, and of liquids, nasals, and stops; nothing to say about the harmony except to point out how the fluttering accents in the quatrains give place in the couplet to the emphatic march of the almost unrelieved iambic feet. In short, the poet has employed one hundred and ten of the simplest words in the language and the two simplest rhyme-schemes to produce a poem which has about it no strangeness whatever except the strangeness of perfection. (Brooke, p. 234)

UNDERSTANDING THE POEM

1. ‘Constancy’ is the theme of the poem. Indicate the words, phrases and images that suggest the theme.
   
   
   "an ever-fixed mark", "never shaken"; "Love’s not Time’s fool", "Love alters not", "bears it out even to the edge of doom" are some of the expressions that suggest the theme that love is permanent.
2. Why do you think the poet has used so many ‘negatives’ to make his statement?
   
   
   ‘negatives’ are an effective tool to prove one’s point. It highlights the other side of the coin to bring home the positive points of the statement very effectively. In this case the poet puts forward all the negative aspects that love is taken for, and then argues that love is something permanent and beyond physical beauty.
3. What does the line ‘I never writ, nor no man ever loved’ imply?It implies that if the poet is proved wrong about these thoughts on love, then he will recant all that he has written, and no man has ever [truly] loved.

Poem 06 - Mother Tongue - English Elective Class XI Notes - Woven Words

Poem - 06 Mother Tongue

UNDERSTANDING THE POEM

1. The quill is the central element in the poem—what does it symbolise?
   
   The quill symbolises the Sharade script. A script is central to propagate and preserve any language. In this case the poet is eager to make a point for her mother tongue Dogri which was originally written in Sharade script but for reasons unknown happened to be written in Devanagari script. So she personifies the reed and requests it to give a quill and the reed instantly agrees to do so saying that it is also the servant of the Shahni like the poet herself and ready to serve her.
2. You notice a sense of urgency in the poet’s request—what is the reason for this?
   
   The reason for the sense of urgency shown in the poem is because of fast depleting base of Dogri language in its native speakers and the influence of other languages/scripts on it. The poet is concerned that if the Dogri speaking population is not ready to serve the Shahni(Dogri) then it will be too late to save the language.
3. How has the poet brought out her emotional attachment to her mother tongue?
   
   The poet has brought out her emotional attachment to her mother tongue in the form of this beautiful poem wherein she treats her mother tongue as Shahni(Queen) and the poet herself as a maid to the service of the queen. The emotional height is reached when the reed instantly agrees to cut its hand and give it away for the service of Shahni in the form of a quill.
4. Personification is a figure of speech that attributes human qualities to inanimate things and abstract ideas. How has it been used in this poem?
   
   The poet has beautifully used the tool of personification for her mother tongue Dogri and its script Sharade. Dogri has been personified as Shahni(The Queen) and Sharade script has been personified as the queen’s maid in the form of a quill. The dramatization of the reed cutting its hand to offer for the service of the queen animates the entire poem and rouses the reader to stand up for the greater cause of saving/serving one’s mother tongue.