Monday, April 27, 2020

Class XII - English - Flamingo - Deep Water - Notes

Introduction | Complete Text | Questions and Answers

William Douglas (1898-1980)

About the author

William Douglas (1898-1980) was born in Maine, Minnesota. After graduating with a Bachelors of Arts in English and Economics, he spent two years teaching high school in Yakima. However, he got tired of this and decided to pursue a legal career. He met Franklin D. Roosevelt at Yale and became an adviser and friend to the President. Douglas was a leading advocate of individual rights. He retired in 1975 with a term lasting thirty-six years and remains the longest-serving Justice in the history of the court. The following excerpt is taken from Of Men and Mountains by William O. Douglas. It reveals how as a young boy William Douglas nearly drowned in a swimming pool. In this essay he talks about his fear of water and thereafter, how he finally overcame it. Notice how the autobiographical part of  the selection is used to support his discussion of fear.

Complete Text

It had happened when I was ten or eleven years old. I had decided to learn to swim. There was a pool at the Y.M.C.A. in Yakima that offered exactly the opportunity. The Yakima River was treacherous. Mother continually warned against it, and kept fresh in my mind the details of each drowning in the river. But the Y.M.C.A. pool was safe. It was only two or three feet deep at the shallow end; and while it was nine feet deep at the other, the drop was gradual. I got a pair of water wings and went to the pool. I hated to walk naked into it and show my skinny legs. But I subdued my pride and did it. 

From the beginning, however, I had an aversion to the water when I was in it. This started when I was three or four years old and father took me to the beach in California. He and I stood together in the surf. I hung on to him, yet the waves knocked me down and swept over me. I was buried in water. My breath was gone. I was frightened. Father laughed, but there was terror in my heart at the overpowering force of the waves. 

My introduction to the Y.M.CA. swimming pool revived unpleasant memories and stirred childish fears. But in a little while I gathered confidence. I paddled with my new water wings, watching the other boys and trying to learn by aping them. I did this two or three times on different days and was just beginning to feel at ease in the water when the misadventure happened.

I went to the pool when no one else was there. The place was quiet. The water was still, and the tiled bottom was as white and clean as a bathtub. I was timid about going in alone, so I sat on the side of the pool to wait for others. 

I had not been there long when in came a big bruiser of a boy, probably eighteen years old. He had thick hair on his chest. He was a beautiful physical specimen, with legs and arms that showed rippling muscles. He yelled, “Hi, Skinny! How’d you like to be ducked?” 

With that he picked me up and tossed me into the deep end. I landed in a sitting position, swallowed water, and went at once to the bottom. I was frightened, but not yet  frightened out of my wits. On the way down I planned: When my feet hit the bottom, I would make a big jump, come to the surface, lie flat on it, and paddle to the edge of the pool.
It seemed a long way down. Those nine feet were more like ninety, and before I touched bottom my lungs were ready to burst. But when my feet hit bottom I summoned all my strength and made what I thought was a great spring upwards. I imagined I would bob to the surface like a cork. Instead, I came up slowly. I opened my eyes and saw nothing  but water — water that had a dirty yellow tinge to it. I grew panicky. I reached up as if to grab a rope and my hands clutched only at water. I was suffocating. I tried to yell but no sound came out. Then my eyes and nose came out of the water — but not my mouth.

I flailed at the surface of the water, swallowed and choked. I tried to bring my legs up, but they hung as dead weights, paralysed and rigid. A great force was pulling me under. I screamed, but only the water heard me. I had started on the long journey back to the bottom of the pool.

I struck at the water as I went down, expending my strength as one in a nightmare fights an irresistible force. I had lost all my breath. My lungs ached, my head throbbed. I was getting dizzy. But I remembered the strategy — I would spring from the bottom of the pool and come like a cork to the surface. I would lie flat on the water, strike out with my arms, and thrash with my legs. Then I would get to the edge of the pool and be safe.

I went down, down, endlessly. I opened my eyes. Nothing but water with a yellow glow — dark water that one could not see through.

And then sheer, stark terror seized me, terror that knows no understanding, terror that knows no control, terror that no one can understand who has not experienced it. I was shrieking under water. I was paralysed under water — stiff, rigid with fear. Even the screams in my throat were frozen. Only my heart, and the pounding in my head, said that I was still alive.

And then in the midst of the terror came a touch of reason. I must remember to jump when I hit the bottom. At last I felt the tiles under me. My toes reached out as if to grab them. I jumped with everything I had.

But the jump made no difference. The water was still around me. I looked for ropes, ladders, water wings. Nothing but water. A mass of yellow water held me. Stark terror took an even deeper hold on me, like a great charge of electricity. I shook and trembled with fright. My arms wouldn’t move. My legs wouldn’t move. I tried to call for help, to call for mother. Nothing happened.

And then, strangely, there was light. I was coming out of the awful yellow water. At least my eyes were. My nose was almost out too.

Then I started down a third time. I sucked for air and got water. The yellowish light was going out. 

Then all effort ceased. I relaxed. Even my legs felt limp; and a blackness swept over my brain. It wiped out fear; it wiped out terror. There was no more panic. It was quiet and peaceful. Nothing to be afraid of. This is nice... to be drowsy... to go to sleep... no need to jump... too tired to jump... it’s nice to be carried gently... to float along in space... tender arms around me... tender arms like Mother’s... now I must go to sleep...

I crossed to oblivion, and the curtain of life fell.

The next I remember I was lying on my stomach beside the pool, vomiting. The chap that threw me in was saying, “But I was only fooling.” Someone said, “The kid nearly died. Be all right now. Let’s carry him to the locker room.” 

Several hours later, I walked home. I was weak and trembling. I shook and cried when I lay on
my bed. I couldn’t eat that night. For days a haunting fear was in my heart. The slightest exertion upset me, making me wobbly in the knees and sick to my stomach.

I never went back to the pool. I feared water. I avoided it whenever I could.

A few years later when I came to know the waters of the Cascades, I wanted to get into them. And whenever I did — whether I was wading the Tieton or Bumping River or bathing in Warm Lake of the Goat Rocks — the terror that had seized me in the pool would come back. It would take possession of me completely. My legs would become paralysed. Icy horror would grab my heart. 

This handicap stayed with me as the years rolled by. In canoes on Maine lakes fishing for landlocked salmon, bass fishing in New Hampshire, trout fishing on the Deschutes and Metolius in Oregon, fishing for salmon on the Columbia, at Bumping Lake in the Cascades — wherever I went, the haunting fear of the water followed me. It ruined my fishing trips; deprived me of the joy of canoeing, boating, and swimming.

I used every way I knew to overcome this fear, but it held me firmly in its grip. Finally, one October, I decided to get an instructor and learn to swim. I went to a pool and practiced five days a week, an hour each day. The instructor put a belt around me. A rope attached to the belt went through a pulley that ran on an overhead cable. He held on to the end of the rope, and we went back and forth, back and forth across the pool, hour after hour, day after day, week after week. On each trip across the pool a bit of the panic seized me. Each time the instructor relaxed his hold on the rope and I went under, some of the old terror returned and my legs froze. It was three months before the tension began to slack. Then he taught me to put my face under water and exhale, and to raise my nose and inhale. I repeated the exercise hundreds of times. Bit by bit I shed part of the panic that seized me when my head went under water.

Next he held me at the side of the pool and had me kick with my legs. For weeks I did just that. At first my legs refused to work. But they gradually relaxed; and finally I could command them. 

Thus, piece by piece, he built a swimmer. And when he had perfected each piece, he put them together into an integrated whole. In April he said, “Now you can swim. Dive off and swim the length of the pool, crawl stroke.” 

I did. The instructor was finished. 

But I was not finished. I still wondered if I would be terror-stricken when I was alone in the pool. I tried it. I swam the length up and down. Tiny vestiges of the old terror would return. But now I could frown and say to that terror, “Trying to scare me, eh? Well, here’s to you! Look!” And off I’d go for another length of the pool. 

This went on until July. But I was still not satisfied. I was not sure that all the terror had left. So I went to Lake Wentworth in New Hampshire, dived off a dock at Triggs Island, and swam two miles across the lake to Stamp Act Island. I swam the crawl, breast stroke, side stroke, and back stroke. Only once did the terror return. When I was in the middle of the lake, I put my face under and saw nothing but bottomless water. The old sensation returned in miniature. I laughed and said, “Well, Mr Terror, what do you think you can do to me?” It fled and I swam on.

Yet I had residual doubts. At my first opportunity I hurried west, went up the Tieton to Conrad Meadows, up the Conrad Creek Trail to Meade Glacier, and camped in the high meadow by the side of Warm Lake. The next morning I stripped, dived into the lake, and swam across to the other shore and back — just as Doug Corpron used to do. I shouted with joy, and Gilbert Peak returned the echo. I had conquered my fear of water. 

The experience had a deep meaning for me, as only those who have known stark terror and conquered it can appreciate. In death there is peace. There is terror only in the fear of death, as Roosevelt knew when he said, “All we have to fear is fear itself.” Because I had experienced both the
sensation of dying and the terror that fear of it can produce, the will to live somehow grew in intensity. 

At last I felt released — free to walk the trails and climb the peaks and to brush aside fear.

Introduction

In "Of Men and Mountains" by William Douglas, the author recounts an incident from his childhood when he was tossed into a swimming pool by an older boy and nearly drowned. He had an aversion to water from an earlier traumatic incident and had been learning to swim at the YMCA pool. When he was alone at the pool, the older boy threw him into the deep end, and Douglas was unable to swim to the surface due to fear and panic. He struggled to stay afloat and was about to lose consciousness when a lifeguard rescued him. The experience left him with a determination to overcome his fear of water and learn to swim properly.

Think as you read

  1. What is the "misadventure" that William Douglas speaks about?

    ANSWER:
    The ''Misadventure'' is an incident that took place at the Y.M.C.A Swimming pool when Douglas as a kid went there to learn swimming. One day when Douglas was waiting by the side of the pool for company, a big bully picked him up and tossed him into the deep end which was nine feet in depth. As he was not a good swimmer, Douglas nearly drowned. This incident left him traumatized.

  2. What were the series of emotions and fears that Douglas experienced when he was thrown into the pool? What plans did he make to come to the surface?

    ANSWER:
    William Douglas was thrown into the pool by a muscular boy. He got frightened but did not lose his wits in the beginning. While going down he planned to make a big jump when his feet would hit the bottom and come to surface, lie flat on the water and paddle to the edge of the pool. But his plan did not materialize. He went down very slowly and by the time his feet touched the bottom his lungs were ready to burst. His journey back to the top was very slow and the entire experience made him grew panicky and terrorized.

    The same thing happened when he went down for the second and third time in the water till he started fainting and thought himself to be dead.

  3. How did this experience affect him?

    ANSWER:
    Douglas's childhood trauma of almost drowning in a pool triggered his aversion to water. The incident left him feeling weak and tearful, and he lost his appetite. Any physical activity drained him and caused him to feel nauseous, compelling him to avoid water and stay away from the pool whenever possible. Consequently, the incident continued to haunt him for a considerable period.

  4. Why was Douglas determined to get over his fear of water? 

    ANSWER:
    Douglas was determined to get over his fear of water because he wanted to live a normal life without any handicap. Since his fear of water was not letting him enjoy the water related fun activities like canoeing, boating, swimming and fishing etc. he decided to get rid of this fear completely.

  5. How did the instructor “build a swimmer” out of Douglas? 

    ANSWER:
    The instructor taught him all the swimming related activities one by one. He taught him how to exhale when the face is in the water and inhale when the face is above water. He also taught him different strokes and how to use one's feet for swimming. When Douglas mastered all the skills necessary for swimming one by one, the instructor asked him to use all at once so that he could swim, and this trick worked.

  6. How did Douglas make sure that he conquered the old terror? 

    ANSWER:
    Even after the swimming training was over, Douglas wasn't confident about his swimming or that he had overcome the fear. He was determined to completely get rid of it forever. He swam alone in the pool. He went to Lake Wentworth to dive. There, he tried every possible stroke he had learnt. He fought back the tiny vestiges of terror that gripped him in middle of the lake. Finally, in his diving expedition in the Warm Lake, he realised that he had truly conquered his old terror.

Saturday, September 21, 2019

Poem - The Laburnum Top - Class 11 English Hornbill

The Laburnum Top - Text
Laburnum Tree

The Laburnum top is silent, quite still
In the afternoon yellow September sunlight, A few leaves yellowing, all its seeds fallen.

Till the goldfinch comes, with a twitching chirrup
A suddenness, a startlement, at a branch end.
Then sleek as a lizard, and alert, and abrupt,
She enters the thickness, and a machine starts up
Of chitterings, and a tremor of wings, and trillings —
The whole tree trembles and thrills.
It is the engine of her family.
She stokes it full, then flirts out to a branch-end
Showing her barred face identity mask

Then with eerie delicate whistle-chirrup whisperings
She launches away, towards the infinite

And the laburnum subsides to empty.

Word Meaning of the Poem Laburnum Top

Word Meaning
laburnum Laburnum, sometimes called golden chain or golden rain, is a genus of two species of small trees in the subfamily Faboideae of the pea family Fabaceae.
goldfinch a kind of bird, a brightly coloured finch with yellow feathers in the plumage.
twitching 1a : a brief spasmodic contraction of the muscle fibers. b : a slight jerk of a body part. 2 : an act of twitching especially : a short sudden pull or jerk.
chirrup make high-pitched sounds; "the birds were chirping in the bushes"
startlement the state of being strongly impressed by something unexpected or unusual. the look of startlement in her eyes when she found herself at the wedding seated next to her ex-boyfriend.
chittering a chirping noise
tremor of wings an involuntary quivering movement(of wings)
trillings produce a quavering or warbling sound, chirruping, twittering
tremble (of a person, a part of the body, or the voice) shake involuntarily, typically as a result of anxiety, excitement, or frailty.
thrill (v.) cause (someone) to have a sudden feeling of excitement and pleasure.
stoking (the engine) add coal or other solid fuel to (a fire, furnace, boiler, etc.).
flirt out (of a bird) wave or open and shut (its wings or tail) with a quick flicking motion.
barred face identity mask
  mask having bars or lines like pattern
eerie strange and frightening.

Summary of the Poem

Goldfinch Bird

The poem “The Laburnum Top” by Ted Hughes describes the mutual relation between a Laburnum Tree and a goldfinch. Both of them are yellow in colour (the tree is yellow because of its flowers) and quite beautiful in appearance.


The Laburnum Tree is beautiful, large but quite silent and getting naked because of winter. However, the bird, Goldfinch appears from the sky and soon the whole tree is surrounded by the sweet chirps of the bird and her young ones. It was previously dead and now it seems to be alive and shaking until the bird vanishes away again. Dead silence prevails.


The poem has been divided into three stanzas. There is not set rhyme scheme. The first stanza describes the tree before the bird reaches it. The second stanza describes the coming of the bird and the final stanza tells the condition of the tree when the bird goes away.


In the first stanza, the poet says that he saw a Laburnum Tree (with its yellow flowers). In his words, “The Laburnum top is silent“. The tree is still and looks dead-like in the day time of September. Even the sunlight is also yellow. As it is the time of autumn, the leaves of the tree have turned yellow and its seeds have fallen off it.

In this stanza, the poet uses the image “yellow” colour repeatedly. First the tree’s flowers are yellow, then its leaves have also turned yellow and the sunlight is also yellow.

The yellow color symbolises beauty (because of flowers, which, though have fallen off in the form of seeds), death (because of yellow leaves) as well as silence (day time without rain or wind). In the whole stanza, the poet is trying to describe the miserable condition of the Laburnum Tree which is silent, dying and without seeds (useless).

The death-like scene however changes as soon as the goldfinch comes with a twitching chirrup. Goldfinch is a bright yellow coloured bird. Twitching chirrup means “short chirping sounds”.

The bird is quite precautious while sitting at a branch end of the tree and has sudden quick movements. Perhaps it is looking out for any danger that might be there.

It then goes into the thick bark of the Laburnum Tree smoothly but abruptly with alertness. As soon as she enters the tree (her nest is inside the Laburnum Tree), a machine starts up of chitterings, and a tremor of wings, and trillings.

The image of machine here refers to the young ones of the bird. A machine makes a lot of noise when it starts. Similarly, when the young birds see their mother they start chirping like a machine, flattering their wings in joy as their mother has come with food. They were hungry as well as sad being far from their mother.

Now the whole tree trembles and thrills because of the mother bird and her young ones. The poet probably wants us to feel how a solitary and silent tree becomes alive because it has given space to the bird and her young ones. The birds have gotten shelter and the tree in return has got life.

The goldfinch is thus the engine of her family which includes the Laburnum tree as well. According to the poet it fills them with fuel i.e. it gives food to the young ones and thrill to the tree. Having done that, she again flies to a branch-end. Only her dark-coloured striped face is visible as it is yellow and hence becomes invisible in the yellow leaves of the tree.

Reaching the branch-end of the tree, it makes strange but sweet chirping sounds and then begins his journey towards the infinite i.e. the sky and the Laburnum Tree again becomes silent again.

The Laburnum Top Questions and Answers

  1. What do you notice about the beginning and the ending of the poem?

    ANSWER: The first line of the poem, "The Laburnum top is silent, quite still" and the last line of the poem, "And the laburnum subsides to empty" indicate that before the arrival and departure of the bird the laburnum top was quiet and still. 

  2. To what is the bird’s movement compared? What is the basis for the comparison?

    ANSWER: The bird's movement is compared to that of a lizard. When the bird comes back with food to feed the chicks and enters the thickness of the laburnum top, the way the bird moves reminds the poet of the movement of a lizard in its abruptness, sleekness and alertness.  

  3. Why is the image of the engine evoked by the poet?

    ANSWER: "It is the engine of her family", the engine is a key component in a machinery that gets the job done. The arrival of the bird and the trillings of the young checks in response make the tree alive like an engine. The tree makes it possible the bird and her chicks are safe and are able to move forward in the life process.

  4. What do you like the most about the poem?

    ANSWER: I like the imagery of laburnum tree as the engine of the goldfinch family coming to life with tremors and trillings when the bird arrives to feed her young chicks. The use of literary devices like simile and alliterations make the poem more sonorous, appealing and meaningful.

  5. What does the phrase "her barred face identity mask" mean?

    ANSWER:
    British Goldfinch with 'barred face identity mask'
    The phrase "her barred face identity mask" means the unique pattern of goldfinches found in the United Kingdom where the poet belonged to. The goldfinch birds have a distinct mask like pattern on their head as if wearing a mask.