The Wild Swans at Coole — Complete Guide (NCERT Solution | Class 12 Elective English | Kaleidoscope)

This guide is a simple, exam-ready tutorial on The Wild Swans at Coole by W. B. Yeats. It follows the CBSE pattern for Class 12 Elective English (Kaleidoscope). You will find a summary, theme, word meanings, line-by-line help, NCERT Solution-style Q&A, extract-based MCQs, and important questions for practice. The aim is clear, quick learning.

Table of Contents

1. Post Excerpt
2. Quick Facts about the Poem & Poet
3. Summary of “The Wild Swans at Coole” by W. B. Yeats
4. Theme of “The Wild Swans at Coole” by W. B. Yeats
5. Stanza-wise Explanation (Simple Notes)
6. Line-by-line Explanation (Easy Gloss)
7. Word Meaning (Table)
8. Literary & Poetic Devices
9. Form, Rhyme Scheme & Tone
10. Imagery, Symbolism & Motifs
11. Questions and Answers (NCERT-style)
12. Extract Based MCQs (5 Sets)
13. Important Questions with Answers
14. Exam Tips & How to Answer
15. Vocabulary Boost & Usage
16. Practice Set (Short & Very Short)
17. Answer Frames & Templates
18. Quick Recap (One-page Notes)
19. FAQs for Class 12 Poetry (Kaleidoscope)
20. About the Poet & References

Post Excerpt

The Wild Swans at Coole by W. B. Yeats is a prescribed poem in Kaleidoscope, Class 12 Elective English. It is part of the NCERT syllabus and is often asked in exams. This post provides a complete NCERT Solution including summary, explanation, theme, stanza-wise notes, and exam-style questions with answers. Students preparing for Class 12 Poetry will find it useful for revision and practice. The focus is to explain the poem in simple words so that even difficult ideas about ageing, love, and change can be understood easily. Along with line-by-line explanation, you will also get word meanings, extract-based MCQs, and important questions that are likely to come in the examination. This will help you prepare well and score better in Class 12 Elective English.

Quick Facts about the Poem & Poet

• Poem: The Wild Swans at Coole
• Poet: William Butler Yeats (1865–1939)
• Year of Publication: 1919
• Collection: The Wild Swans at Coole
• Setting: Coole Park, Ireland
• Main Idea: Yeats contrasts his own ageing and sadness with the beauty and timeless energy of the swans.
• Exam Weightage: Important for Class 12 Elective English, both short and long answer questions are often set from this poem.

Summary of “The Wild Swans at Coole” by W. B. Yeats

The poem The Wild Swans at Coole by W. B. Yeats captures the poet’s feelings of change and loss as he observes swans at Coole Park. It is autumn, and the trees and sky reflect the calm of nature. The poet counts fifty-nine swans, the same birds he had first seen nineteen years earlier. At that time, they flew suddenly into the air, full of energy and freedom. The poet feels sad because his own life has changed since then. He has grown older, and his heart feels heavy. But the swans remain strong, youthful, and full of passion. They stay in pairs, unwearied, whether on water or in the sky. Yeats admires their beauty and constancy, but also fears the day when he may wake up to find them gone. The poem reflects on human ageing and change, set against the timeless beauty and freedom of nature.

Theme of “The Wild Swans at Coole” by W. B. Yeats

The main theme of The Wild Swans at Coole by W. B. Yeats is the contrast between human life and the timeless beauty of nature. Yeats shows how people grow old, face change, and lose energy, while the swans remain youthful, strong, and full of passion. The poem speaks about ageing, loss, and sadness, but also highlights constancy, companionship, and beauty. The swans stand as a symbol of love, freedom, and eternal spirit. Yeats feels the pain of change in his own life, but he also admires the swans for their unchanging strength and their power to inspire delight. Thus, the poem deals with human weakness on one side and the everlasting charm of nature on the other.

Stanza-wise Explanation (Simple Notes)

Stanza 1

The poet describes the scene of Coole Park in autumn. The trees are colourful, the paths are dry, and the calm water reflects the twilight sky. On the water, the poet sees fifty-nine swans resting together.

Stanza 2

Yeats recalls that it has been nineteen years since he first counted these swans. Back then, as soon as he saw them, they suddenly rose into the sky, flying in wide circles with noisy wings. This memory shows their energy and freedom.

Stanza 3

The poet says he has always admired these beautiful creatures, but now he feels sorrow. Time has changed him since the first time he heard their wings at twilight. In those days, he was younger and happier.

Stanza 4

The swans, however, remain unchanged. They are still full of life. Moving in pairs, they swim in the cold water or fly in the air. They do not grow old and are always guided by passion and energy.

Stanza 5

The poet reflects that the swans now float peacefully on the water, looking mysterious and beautiful. He wonders where they will go next to build nests or bring joy to new people. He fears waking up one day to find that they have flown away.

Line-by-line Explanation (Easy Gloss)

Stanza 1

The trees are in their autumn beauty, – The poet notices the trees filled with autumn colours.
The woodland paths are dry, – The forest paths are dry as the season has changed.
Under the October twilight the water / Mirrors a still sky; – The calm water reflects the quiet evening sky of October.
Upon the brimming water among the stones / Are nine-and-fifty swans. – On the full water near stones, the poet counts fifty-nine swans.

Stanza 2

The nineteenth autumn has come upon me / Since I first made my count; – It has been nineteen years since the poet first counted the swans.
I saw, before I had well finished, / All suddenly mount – Before he could finish counting, the swans rose into the air.
And scatter wheeling in great broken rings / Upon their clamorous wings. – They flew around in large circles, making loud sounds with their wings.

Stanza 3

I have looked upon those brilliant creatures, / And now my heart is sore. – The poet admired the swans, but now he feels pain and sadness.
All’s changed since I, hearing at twilight, / The first time on this shore, – Everything has changed since the first time he heard their wings at this place.
The bell-beat of their wings above my head, / Trod with a lighter tread. – Back then, hearing their wingbeats made him feel young and cheerful.

Stanza 4

Unwearied still, lover by lover, / They paddle in the cold – The swans are still tireless and swim in pairs in the cold water.
Companionable streams or climb the air; – They move together in streams or rise into the sky.
Their hearts have not grown old; – They remain full of youth and energy.
Passion or conquest, wander where they will, / Attend upon them still. – Wherever they go, they carry passion, love, and the spirit of adventure.

Stanza 5

But now they drift on the still water, / Mysterious, beautiful; – At present, they float calmly, looking beautiful and mysterious.
Among what rushes will they build, / By what lake’s edge or pool – The poet wonders where they will settle next, by which lake or stream.
Delight men’s eyes when I awake some day / To find they have flown away? – He fears that one day he will wake up to find the swans gone, bringing joy to other people elsewhere.

Word Meaning (Table)

Word Meaning — The Wild Swans at Coole

Word / Phrase	Meaning (Simple)
autumn beauty	lovely colours and look of trees in autumn
woodland	area covered with trees; a small forest
twilight	soft light after sunset or before sunrise
mirrors	reflects like a mirror
brimming	full to the top
nine-and-fifty	fifty-nine (59)
mount (verb)	rise up; take off into the air
scatter	move apart in many directions
wheeling	flying or turning in circles
(broken) rings	not perfect circles; shifting loops in the sky
clamorous	loud; noisy
brilliant creatures	very bright and beautiful birds
sore (heart is sore)	painful; full of sadness
bell-beat (of wings)	steady, ringing rhythm like a bell
trod	walked
lighter tread	walked with a light, happy step
unwearied	not tired; full of energy
lover by lover	in pairs like mates
paddle	move the feet in water to swim
companionable	friendly; easy to be with
climb the air	rise high while flying
hearts have not grown old	spirit is still young
passion	strong feeling of love or desire
conquest	winning; victory; triumph
wander	move about without a fixed path
attend upon	follow; go with
drift	float slowly with the water
rushes	tall grass-like plants near water
pool	small body of still water
delight	great joy or pleasure
flown away	gone by flying; left the place

Literary & Poetic Devices in The Wild Swans at Coole 

W. B. Yeats uses many poetic devices in this poem. These devices give rhythm, beauty, and deeper meaning to his words. Here are the main ones:

1. Imagery

The poem is full of visual pictures such as “trees are in their autumn beauty”, “October twilight”, and “nine-and-fifty swans”. These images help us see and feel the scene at Coole Park.

2. Symbolism

The swans symbolise youth, love, passion, and eternity. They stand for all that is strong and unchanged, unlike human life which ages and weakens.

3. Alliteration

The sound of letters is repeated to create music, for example, “bell-beat of their wings” and “brimming water among the stones”.

4. Repetition

The word “still” is repeated to show the calmness of water and the unchanging nature of the swans.

5. Personification

Human qualities are given to the swans. Their “hearts have not grown old” and they are described as being “unwearied” and “lover by lover”.

6. Metaphor

The “bell-beat of their wings” compares the steady rhythm of wings to the ringing of a bell, without using “like” or “as”.

7. Contrast

A strong contrast is drawn between the poet’s ageing life and the ageless beauty of the swans. This deepens the sorrowful tone of the poem.

8. Tone

The tone shifts from admiration to sadness. At first, the poet praises the swans, but later he expresses his fear of loss and loneliness.

9. Rhyme Scheme

The poem follows a regular rhyme scheme of ababcc in each stanza. This gives balance and order to the verses.

Form, Rhyme Scheme & Tone of The Wild Swans at Coole

Form

The poem is written in five stanzas, each having six lines. This type of stanza is called a sexain. Yeats uses a simple and balanced structure. The form allows him to move from description of nature to personal reflection.

Rhyme Scheme

Each stanza follows the rhyme scheme ababcc. The first and third lines rhyme, the second and fourth rhyme, and the last two lines form a rhyming couplet. This gives the poem a steady rhythm and a musical flow.

Tone

The tone is calm, reflective, and sorrowful. At first, the poet admires the beauty of autumn and the swans. Soon the tone turns wistful and sad as he feels the changes brought by age and the passing of time. The contrast between the unchanging swans and his own ageing life adds a touch of melancholy.

Imagery, Symbolism & Motifs in The Wild Swans at Coole

Imagery

Yeats uses strong pictures to bring the scene alive. The autumn trees, October twilight, and still sky give us a clear sense of season and mood. The swans flying in “great broken rings” and the sound of the “bell-beat of their wings” create visual and auditory images. These images make the poem rich and memorable.

Symbolism

The swans are a central symbol. They stand for youth, love, passion, and eternity. While human life changes with age and loss, the swans remain constant and full of energy. The autumn season symbolises decline and ageing, contrasting with the vitality of the swans. The still water reflects both peace and the silence of time passing.

Motifs

The repeated ideas or motifs in the poem include time, ageing, love, and change. The poet’s nineteen-year gap since first seeing the swans shows the passing of time. His sadness at growing old contrasts with the ageless swans. The motif of pairs of swans highlights companionship and lasting love. Another motif is the fear of loss — the worry that one day the swans will fly away forever.

Questions and Answers (NCERT-style)

Understanding the Poem

Q1. How do the ‘trees in their autumn beauty’, ‘dry woodland paths’, ‘October twilight’, ‘still sky’ connect to the poet’s own life?

These images of autumn reflect decline and fading life. They connect to the poet’s own ageing and sense of loss. Just as nature moves into autumn, Yeats feels he has entered the later stage of his life.

Q2. What do ‘the light tread’ and ‘the sore heart’ refer to?

‘The light tread’ refers to the poet’s youthful days when he was carefree and joyful. ‘The sore heart’ refers to his present state of sadness and pain as he feels the burden of age and change.

Q3. What is the contrast between the liveliness of the swans and human life?

The swans remain young, tireless, and full of passion, while human life grows weak, old, and sorrowful with time. Yeats shows how the swans stay the same, but humans cannot escape change and ageing.

Q4. What contributes to the beauty and mystery of the swans’ lives?

The swans live in pairs, move gracefully on water, and rise freely into the air. Their constancy, strength, and freedom make them mysterious and beautiful, unlike the fragile human life bound by time.

Extract Based MCQs (5 Sets)

Extract Based MCQs

Set 1

“The trees are in their autumn beauty, The woodland paths are dry, Under the October twilight the water Mirrors a still sky.”

1. Which season is described in the lines?
   a) Summer
   b) Autumn
   c) Winter
   d) Spring
2. What does the “still sky” reflect?
   a) The poet’s joy
   b) The poet’s calm mood
   c) The water’s calmness
   d) The swans’ movement
3. The tone in these lines is—
   a) Energetic
   b) Sad
   c) Peaceful
   d) Angry

Answer Key: 1-b, 2-c, 3-c

Set 2

“Upon the brimming water among the stones Are nine-and-fifty swans.”

1. How many swans does the poet count?
   a) 59
   b) 60
   c) 49
   d) 50
2. Where are the swans seen?
   a) In the air
   b) On the still water
   c) On dry paths
   d) Near the twilight sky
3. The word “brimming” suggests—
   a) Fullness
   b) Emptiness
   c) Shallow water
   d) Movement

Answer Key: 1-a, 2-b, 3-a

Set 3

“All’s changed since I, hearing at twilight, The first time on this shore, The bell-beat of their wings above my head, Trod with a lighter tread.”

1. What has changed according to the poet?
   a) His love for nature
   b) His feelings and life
   c) The number of swans
   d) The lake itself
2. What does “lighter tread” mean?
   a) Weak steps
   b) Joyful and carefree walk
   c) Strong steps
   d) Fearful walk
3. The phrase “bell-beat of their wings” is an example of—
   a) Metaphor
   b) Simile
   c) Personification
   d) Alliteration

Answer Key: 1-b, 2-b, 3-a

Set 4

“Unwearied still, lover by lover, They paddle in the cold Companionable streams or climb the air; Their hearts have not grown old.”

1. What does “unwearied” suggest about the swans?
   a) They are tired
   b) They remain energetic
   c) They are weak
   d) They are resting
2. How do the swans move?
   a) Alone
   b) In pairs
   c) In groups of three
   d) Without order
3. What quality of the swans is highlighted in “their hearts have not grown old”?
   a) Constancy
   b) Weakness
   c) Change
   d) Silence

Answer Key: 1-b, 2-b, 3-a

Set 5

“Delight men’s eyes when I awake some day To find they have flown away?”

1. What does the poet fear here?
   a) He will not see swans again
   b) The swans will live forever
   c) He will forget the lake
   d) The lake will dry up
2. What do the swans bring to others?
   a) Fear
   b) Delight
   c) Anger
   d) Sadness
3. The tone in these lines is—
   a) Hopeful
   b) Doubtful
   c) Fearful and sad
   d) Playful

Answer Key: 1-a, 2-b, 3-c

Important Questions with Answers

Short Answer Questions (30–40 words)

Q1. Why does Yeats feel sorrow when he sees the swans?

Yeats feels sorrow because he has grown old and changed, while the swans remain youthful, full of passion, and unchanged. Their permanence reminds him of his own ageing and the loss of joy in his life.

Q2. How does Yeats contrast the swans with human life?

Swans are tireless, constant, and full of love and energy. Human life, on the other hand, changes with time, age, and loss. This contrast brings out the sadness Yeats feels about human weakness.

Q3. Why does the poet fear waking up one day to find the swans gone?

For Yeats, the swans symbolise beauty, love, and constancy. If they disappear, he will lose the last source of joy and stability in his life. His fear shows his deep sense of emptiness.

Long Answer Questions (120–150 words)

Q4. Discuss the use of imagery in “The Wild Swans at Coole”.

Yeats paints the scene with rich visual and sound images. He describes the autumn trees, dry woodland paths, and still sky, creating a quiet, reflective mood. The swans are shown through the image of “great broken rings” as they fly and the “bell-beat of their wings” as they rise. These images contrast the calm setting with the energy of the swans. The imagery not only brings the scene alive but also reflects the poet’s emotions—his sorrow, nostalgia, and awe. It helps readers see the contrast between the changing human life and the unchanging swans.

Q5. How does the poem reflect Yeats’s personal concerns?

The poem reflects Yeats’s struggle with ageing, loss, and the search for permanence. The nineteen years since he first saw the swans remind him of how time has changed him. He is no longer youthful or carefree, but full of sorrow and weariness. The swans, however, remain unchanged—strong, passionate, and graceful. Yeats’s fear of their disappearance reflects his fear of losing beauty and joy forever. Thus, the poem mirrors his personal longing for constancy in a world of change.

Value-based Question

Q6. What lesson about life can young readers learn from “The Wild Swans at Coole”?

The poem teaches that human life is bound by time and change, but beauty and love can be lasting. It reminds readers to cherish moments of joy and value the constancy of nature. It also suggests that youth and passion can be an inspiration even when life becomes difficult.

Exam Tips & How to Answer

1. Use of Keywords

Always include important keywords in your answers such as: autumn, twilight, sore heart, unwearied swans, passion, constancy, ageing, change. These words show that you understand the poem and its central ideas.

2. Quoting Lines

Support your answers with short quotes from the text. For example: • To show Yeats’s sadness, you can quote “my heart is sore.” • To explain the energy of swans, use “unwearied still, lover by lover.” Do not write long lines. Use only a few words and fit them into your own sentence.

3. Time Planning

• Reading time: Spend 2–3 minutes reading the question carefully.
• Short answers: Keep them 25–40 words. Spend 3–4 minutes on each.
• Long answers: Write 120–150 words. Use 7–9 minutes for each. Begin with an introduction, explain with examples, and close with a clear conclusion.
• Revision: Save 5 minutes at the end to read and correct mistakes.

4. Structuring Answers

• Begin with a clear point. • Explain using simple language. • Add a short quote for support. • End with a link to the theme of the poem. This method keeps your answer neat and examiners find it easy to mark.

5. Common Pitfalls

• Do not memorise answers blindly. Focus on ideas and key points.
• Avoid writing long quotes. Only use short phrases.
• Do not skip the conclusion in long answers.
• Avoid vague words like “nice”, “good”, “bad”. Use exact terms like “imagery”, “symbol”, “tone”.

Vocabulary Boost & Usage

Here are some useful words from The Wild Swans at Coole with simple sample sentences to help you in exams and writing tasks.

Word	Meaning	Sample Sentence
Autumn	Season between summer and winter	The trees turn golden in autumn.
Twilight	Soft light just before night	We went for a walk in the twilight.
Clamorous	Loud and noisy	The clamorous crowd cheered the players.
Unwearied	Not tired	She remained unwearied even after a long walk.
Companionable	Friendly and sociable	He enjoyed the companionable company of his classmates.
Conquest	The act of winning or gaining	The king celebrated his conquest of new lands.
Passion	Strong emotion or love	She spoke about the project with great passion.
Mystery	Something difficult to explain	The old house was full of mystery.
Delight	Great pleasure or joy	The children screamed in delight when the gifts arrived.
Sore	Painful or aching	His sore leg made it hard to walk.
Constancy	Quality of being unchanging	The constancy of the stars comforts many poets.

Practice Set (Short & Very Short)

Very Short Answer Questions (1 mark each)

1. How many swans does the poet see at Coole Park?
2. What season is described at the beginning of the poem?
3. How long has it been since Yeats first counted the swans?
4. Which sound does Yeats compare to a “bell-beat”?
5. What fear does the poet express at the end of the poem?

Short Answer Questions (2–3 marks each)

1. What is the mood of the poet in the opening stanza? Support your answer with one image.
2. Why does Yeats feel his heart has grown sore while the swans remain unwearied?
3. How does Yeats present the swans as symbols of love and companionship?
4. Explain how nature adds to the beauty and mystery of the swans’ presence.
5. What contrast does Yeats draw between the constancy of the swans and the changes in human life?

Answer Frames & Templates

These frames will help you shape answers in exams. Fill in the blanks with details from the poem.

1. Theme-based Answer Frame

The main theme of the poem “The Wild Swans at Coole” is ___________. Yeats shows that while human life ___________, the swans remain ___________. The poet uses the image of ___________ to express his feelings of ___________. Thus, the theme reflects ___________.

2. Imagery-based Answer Frame

Yeats makes use of striking imagery in the poem. For example, he describes ___________ which creates a picture of ___________. Another image is ___________ that symbolises ___________. These images help readers feel ___________ and highlight the contrast between ___________.

3. Symbolism-based Answer Frame

In the poem, the swans symbolise ___________. Their constancy represents ___________, while their passion shows ___________. Yeats contrasts this symbol with ___________ to underline ___________. Thus, symbolism strengthens the central message of the poem.

4. Poetic Device-based Answer Frame

Yeats uses the device of ___________ in the line “___________”. This device helps to ___________. Another device is ___________ in “___________”, which adds ___________. Together, these poetic devices make the poem more ___________ and effective.

5. Value-based Answer Frame

The poem teaches us the value of ___________. Through the swans, Yeats conveys that ___________, whereas human life ___________. The reader learns that even in times of ___________, one can find inspiration in ___________.

Quick Recap (One-page Notes)

• Poem: The Wild Swans at Coole by W. B. Yeats
• Setting: Coole Park, Ireland, in autumn at twilight
• Swans: 59 swans (nine-and-fifty)
• Time Gap: Nineteen years since Yeats first saw the swans
• Poet’s Mood: Sad, reflective, feels the change of age
• Contrast: Poet is ageing and weary; swans remain young and full of energy
• Key Symbols:
  • Swans → permanence, passion, constancy
  • Autumn → ageing, decline, change
  • Twilight → end of a phase, nearing death
• Main Theme: The contrast between fleeting human life and the timeless beauty of nature
• Tone: Reflective, sorrowful, yet admiring of the swans
• Important Lines to Quote:
  • “My heart is sore” → poet’s sadness
  • “Unwearied still, lover by lover” → swans’ constancy
  • “Delight men’s eyes” → timeless charm of swans
• Poetic Devices: Imagery, symbolism, alliteration, repetition
• Exam Tip: Always show contrast between poet’s ageing and swans’ timelessness

FAQs for Class 12 Poetry (Kaleidoscope)

1. What is the central idea of “The Wild Swans at Coole”?

The poem shows Yeats’s sadness at growing old while the swans remain youthful, lively, and constant.

2. Why are the swans important in the poem?

The swans symbolise love, constancy, and timeless beauty. They contrast with human life, which changes with age.

3. What feelings does Yeats express in the poem?

He feels sorrow, loss, and nostalgia, but also admiration for the swans’ vitality.

4. What is the rhyme scheme of the poem?

The poem follows a regular rhyme scheme of ababcc in each stanza.

5. How does nature contribute to the poem’s mood?

The autumn trees, twilight sky, and still water create a calm but sad background that mirrors Yeats’s feelings.

6. What does “my heart is sore” mean?

It means the poet feels deep sadness and emotional pain.

7. Why does Yeats fear the swans may fly away?

He worries that one day they may leave, and he will lose the only constant source of beauty in his life.

8. How should I write answers in the exam?

Use key words like “symbolism”, “contrast”, and “constancy”. Quote short lines to support your points.

9. What literary devices are important to mention?

Imagery, symbolism, repetition, and alliteration are most important.

10. What lesson can we learn from the poem?

The poem teaches us to accept change in life but also to admire the timeless beauty of nature.

About the Poet & References

About W. B. Yeats

William Butler Yeats (1865–1939) was an Irish poet, playwright, and one of the greatest literary figures of the 20th century. He was awarded the Nobel Prize in Literature in 1923. Yeats was deeply influenced by Irish mythology, folklore, and the nationalist movement. His works often blend personal emotions with larger cultural and political themes. The Wild Swans at Coole, written in 1916 and published in 1919, reflects his feelings of ageing and loss, set against the timeless beauty of nature.

References

• NCERT, Kaleidoscope: Elective English for Class XII, Poetry Section
• Yeats, W. B. The Wild Swans at Coole (1919)
• Oxford Dictionary of Literary Terms
• Critical essays and notes on Yeats’s poetry (public domain sources)

Ultimate Guide on Trees by Emily Dickinson for Class XII Elective English NCERT

Discover the ultimate guide to Trees by Emily Dickinson, a Class XII Elective English NCERT poem. This comprehensive post includes a summary, line-by-line explanation, themes, literary devices, critical appreciation, and detailed Q&A to enhance your understanding. Plus, find summaries in Hindi and Urdu to aid exam preparation. Perfect for students seeking clear explanations and expert insights—master your English syllabus with ease!

Summary of Trees by Emily Dickinson

Emily Dickinson’s poem Trees paints a vivid picture of a summer day. The trees sway like tassels, moving as if in rhythm with a tune. Tiny creatures hum along with the sun’s warmth, creating a soft, enchanting melody. However, their music never fully satisfies—it remains distant, even when at its most beautiful.

The sun plays a game of hide and seek. Sometimes, it shines brightly; at other times, it hides behind the clouds, as if choosing when to appear. The poet imagines the sun owning vast estates of clouds, retreating behind them at will, except when it whimsically allows orchards to grow.

The world is alive with motion. A bird perches lazily on a fence. Another chatters away in a lane. A snake, lured by something unseen, winds itself around a stone. Flowers bloom, breaking free from their buds, rising like banners unfurling in the breeze. Their fragrance lingers in the air.

The poet finds it impossible to describe everything she sees. She compares the beauty of the day to the famous paintings of Van Dyck, suggesting that no words can match the splendour of nature in summer.

This poem, part of Kaleidoscope in Class 12 Elective English NCERT, captures the essence of a bright, animated summer day. It blends movement, sound, and light, making nature come alive. It reminds readers to observe and appreciate the simple yet extraordinary details of the world around them.

Class 12 - Kaleidoscope - Non Fiction - 03 Film Making

 STOP AND THINK QUESTIONS

Q1. What childhood memories does the author recollect that had a bearing on his later involvement with filmmaking?

ANSWER: The author had a childhood which made him aware of the two main types of characters in life. The good and the villainous. He came to know about these from his father who prepared sermons. From this knowledge, he easily connected to the stories like. Red Riding Hood and the Wolf, and all the others. And the wolf was the Devil, without horns but with a tail and a gaping red mouth. From imagining these bits to imagining church bells and hearing a piano from a picture at his grandmother's house at Uppsala everything was a part of his creative association with his childhood memories.

Q2. What connection does the author draw between filmmaking and conjuring?

ANSWER: The author says that film making and Conjuring are of the same dice because both require deception of the human eye. Most of the times the viewer is caught between the frames of a movie. Cause whatever emotion or situation is shown in it is false or enacted. But with the help of certain filming instruments, the film seems to be a real-life event and people express real emotions while watching it.

Q3. What is the nature of the first impressions that form the basis for a film?

ANSWER: A film is a finished product. The basis of a film is laid on split-second impressions that disappear as soon as they come. This means that the birth of a film can be a from anything as small as a note of music to an actor who seems to have been born for a role yet to be played. It isn't the story that takes the shape of a film. It is an idea, a feeling, a reflex of a second that draws into a film if it is followed beautifully.

Q4. Which art form is film-making closest to? What is the reason for the similarity?

ANSWER: Filmmaking is the closest to music according to the author. This is because both film and music are based on a certain rhythm. It is the inhalation and exhalation in a continuous sequence of recreation by directly affecting the emotions rather than affecting the intellect.

Q5. Quite often a film made out of a book is not very successful. Discuss.

ANSWER: There is a wide range of difference between films and literary work. Every literary work has an irrational aspect which forms the basis of its existence. This irrational dimension is the inherent seed of every literary work and makes a reader connect to it. The bitter part is that most of the times this aspect of literary creation is not physical. It is an emotion that can be struck through innumerable written lines but can never be put into enactment and converted into films.

Even after knowing this, when a literary work is forcefully converted into a movie, the nucleus or the purpose of the movie is in mist. Or the adjustments done to put the novel in terms of a film breaks the backbone of the movie and takes the magic element away from it.

Q6. What, according to Bergman, is the relationship between a film-maker and his audience?

ANSWER: A filmmaker essentially makes the story come live and the audience gives reactions. This means that the audience is meant to evaluate what the director has put into action. It's like the relationship between a teacher and a student. The audience is meant to rate or react to the movies. The reaction is the main element of the movie.

Q7. What is the story of the Cathedral of Chartres and how does the author relate it to his profession?

ANSWER: The story of the Cathedral of Chartres begins when the cathedral was hit by lightning and burnt down to ashes. Soon thousands of people came from all points of the compass, like a giant procession of ants, and together they began to rebuild the cathedral on its old site. They worked until the building was completed—master builders, artists, labourers, clowns, noblemen, priests, burghers. But they all remained anonymous and no one knows to this day who built the cathedral of Chartres.

The author says that in the old times the craftsmanship brought in glory. There was nothing like self-identity back in those days. It was all done for god. And the author wants to enjoy his own work. He wants to be satisfied with the quality of his work and enjoy his wok. That’s all he desires.

Q8. What are some of the flaws of the world of filmmaking today?

ANSWER: The world of filmmaking is dependent on learning from each other’s work and collaborating together. But today people have become so self-conscious that they do not want to share their ideas and the concept is that sharing will make the film vulnerable. Also, people are no longer polite and gentle. The expression has become very brutal. What was as easy as a play to the author once has now become a struggle. Failure, criticism, public indifference all hurt more today than yesterday. The brutality of the industry is undisguised.

UNDERSTANDING THE TEXT

Q1. Pick out examples from the text that show Bergman’s sensitivity to sensory impressions which have made him a great filmmaker.

ANSWER: There are many instances. But the most prominent ones are when he could imagine a whole live representation of the wall hanging and could imagine even the church bells ringing. He also could visualize the pigeons fly and was transported into a completely different world. It was a complete melodramatic scene created by Bergman in his fantasy of imagination.

The second instance is when he sees the cranes at Dalarna and left all work to watch the cranes fly.

Q2. What do you understand of the complexity of the little invisible steps that go into the making of a good film?

ANSWER: The first step is to get an idea of the theme. Once the theme is clear from split-second impressions and the topic is absolutely strong enough to take shape of reality, The next step is the storyline. Montage, rhythm and the relation of one picture to another—the vital third dimension without which the film is merely a dead product from a factory. The next important thing is shooting the movie helping each other work in the same direction to make the film a success. So the steps of filmmaking are idea formulation, storyline, scripting and shooting.

Q3. What are some of the risks that film-making involves?

ANSWER: Film-making involves storytelling through a sequence of pictures. It is absolutely important that the public identifies with the theme of the movie. If the theme is completely alien, then the message that the film wants to deliver will not be understood. Another thing is choosing the idea. If the theme of the movie is different from the current demand of the public, it will be difficult for the producer to impress the viewers.

Q4. What misgivings does Bergman have about the contemporary film industry?

ANSWER: The contemporary film industry doesn’t want to understand the fact that everyone learns from the other and that this is a continuous process. The current generation of filmmakers has the mentality of secluding oneself and ideas from everyone else. They take it to be cheating or creating plagiarised content. But in reality, it is a fact that we are all a community of people and we have to learn from each other. Learning from one another is the ultimate source of knowledge for us.

Q5. Compare Bergman’s views about making films out of books with that of Umberto Eco’s.

ANSWER: According to Bergman a novel cannot be put into a film completely. If done so, it becomes a complete injustice to the novel because the novel triggers the intellectual faculty of a person whereas the film triggers the emotion directly.

But according to Umberto Eco, the film takes over the popularity of a novel and it's only when the movie is made out of a novel that the novel reaches the epitome of its popularity. So the film indirectly helps the novel.

TALKING ABOUT THE TEXT

Q1. According to the author, split-second impressions form a ‘mental state, not an actual story, but one abounding in fertile associations and images’.

Compare this with Virginia Woolf’s experiment with the stream of consciousness technique in ‘The Mark on the Wall’.

ANSWER: Split Second Impressions is what Bergman associates with the beginning of the film that is a very vague but agreeable event which disappears as they come and leave behind a mood. He says that this is a mental state, not an actual story being a brightly coloured thread sticking out of the dark sack of unconsciousness. With the accumulation of all these threads, one can carefully weave a complete film but it requires patience and a pattern in accordance with these rhythms, obeying laws born out of and conditioned by his original stimulus can gain enough strength it could be made into a film. It requires proper analysis of the Impressions; Its rhythms, moods, atmosphere, tensions, sequences that give a perfect screenplay.

Whereas the Mark on the Wall Summary by Virginia Woolf is a first-person narrative recalling the past and specifics of an event. The narrator beautifully crafts his stream of consciousness into words that try to reflect and associate a series of event with a singularity of a mark on the wall. The process of thinking exhibits a spectrum of event related to the one being discussed and shows how vivid a mind could be.

Q2. Bergman talks about the various influences in his life including his parents and his religious upbringing. To what extent are an individual’s achievements dependent on the kind of influences he or she has had in life? Discuss.

ANSWER: An individual’s achievement is a mixed bag consisting of all his thoughts, his life experiences and his background. It shapes the way one perceives things around him and lays a path towards positivity and success. Bergman associates his motivation towards film and manipulating viewers emotions to the world of his childhood and his religious upbringing similarly one can definitely find pieces of their memory associate with every up and down of their lives. There is a substantial amount of evidence indicating that the way individuals are brought up has important implications on how they cope with their future, by serving as a framework for how they interpret success and the possibility of future achievements. Human behaviour is more closely related to environment and upbringing than education. Interpersonal skills and personality traits grow stronger with disciplined environments and many more examples could be easily related. Growing up and all other influential factors keep working in sync to help a person decide his both taken and untaken road that paves a path to his achievement depending on the role the person is playing. A person achievement depends closely on his personality and one could easily figure that personality is a pattern of thoughts, feelings and behaviours collected gradually over time and situation. So, one could easily map a person’s learnt behaviour to his life’s achievement. The environment that one entertains in his/her life collects the various modes of their problem solving, decision making and creative skills and help them in evolution in this brief period of time being on both positive and negative edges. Thus, with all these references and the statements of Bergman associating his childhood with his achievements one can safely assume the necessary association of an individual’s achievement with their incidents and influences bagged through their lives.

APPRECIATION

Q1. Autobiographical accounts make interesting reading when the author selects episodes that are connected to the pursuit of excellence. How does this apply to Ingmar Bergman’s narration of the details of film-making?

ANSWER: Autobiographical accounts do make interesting reading when the author selects episodes that are connected to the pursuit of excellence. In context with Ingmar Bergman’s narration of the details of film-making, one could easily find references to a various past event that draws readers attention on his hunger to perfection in filmmaking. He starts accounting the importance of childhood experiences and environment and how it moulds a person and paves his path to success. He describes the split-second Impressions that weave into an actual movie with hard work and giving importance to details that help him envisage a proper screenplay with appropriate dialogues. He shows the importance of working at the root level and also writing and says about the difference between film and literature. He finally lays the importance of people in one’s success in life. He describes the role of his parents and the values they inculcated in him. He urges taking advantages of setbacks to become stronger and thus shows how excellence in one’s career could be achieved.

Q2. Comment on the conversational tone of the narration. Compare this with the very informal style adopted by Umberto Eco in the interview.

ANSWER: People tend to prefer persons or textual materials where a conversational tone is used because when someone reads something written in a conversational tone, it tricks people’s brain to think that they are directly involved. As a result, a conversational tone is more effective for getting a message across–and getting that message to stick and this is what the narrator has utilised in this narration which leaves readers in a state of awe and motivation. They can relate well to the narrator’s story and can find pieces in them that can help them to reach their own goals. Whereas The informal style adopted by Umberto Eco in the interview is a series of questions with the person's answers and it's like reading them as a documentary of events and answers. It is casual and is appropriate when communicating with a large mass.

CHANDALIKA - RABINDRANATH TAGORE

NOTES ON 'CHANDALIKA' - RABINDRANATH TAGORE

• Summary of Chandalika by Rabindranath Tagore
• Summary of Chandalika in 200 words
• Read and Find Out Q&A Chandalika by Rabindranath Tagore
• Thinking about the Play
• Appreciation Q&A Chandalika by Rabindranath Tagore

SUMMARY

Much has been written about Tagore’s play, Chandalika which is based on a Buddhist legend Tagore came across while studying Ranjendra Lal Mitra’s The Sanskrit Buddhist Literature. According to the story Ananda, the famous disciple of the Buddha, approaches towards a well to ask for water from a Chandalini, a young untouchable girl. Prakriti, the Chandalini, serves him water from her pitcher and falls in love with him at the first sight. Her passion to possess Ananda compels her mother to cast a magic spell on Ananda and to drag him to her house. The spell proves stronger and Ananda is dragged to the couch spread for him by the Chandalini. Ananda prays to the Buddha to save himself from this shame and remorse. Consequently, Buddha breaks the magic spell and frees Ananda, who walks away from the Chandalini, as pure as he came. The play, for many, has been either a play of spiritual conflict or a psychological drama. Such readings of us however obliterate the most social concerns of the play like casteism and sexuality which make the play more as a social document than a mere stage show of entertainment and aesthetics. Though Subaltern Studies as a critical theory was unheard of in Tagore’s time, it is interesting to revisit and reintrospect Tagore’s Chandalika from the Postcolonial perspective .My paper will try to look at Tagore from the Subaltern standpoint, especially with reference to Gramsci’s notion of the ‘subaltern’ and the postcolonial issues of subjectivity and identity-formation .

Tagore’s Chandalika is a powerful critique of Indian society that ignores and deprives a large community of its fundamental rights and dignity, labelling them as subhuman untouchables. The dominant social groups of the high caste Hindus are much to be blamed for the dastardly acts of inhumanity and cruelty. The narrative of Chandalika is an evidence of the subaltern protest against Brahmanical hegemony and it explores possible ways of redemption. The story parallels powerfully the anti-caste movements associated with Phule, Periyar and Ambedkar. But Tagore does not lose sight of the fact that the Subaltern is held in subjection through its internal weakness and through its acceptance, as evident in the slavish mentality of Prakiti’s mother, Maya, of the moral, social and political ideologies of the ruling class. Maya internalizes and consents to her subordination as ordained. This subjectivity is not just externally imposed but is ingrained in the subaltern culture and consciousness. The mother considers Prakiti’s new birth following the awakening of her consciousness as madness. She chastises Prakiti’s newly gained enthusiasm after her.

Summary of Chandalika in 200 words

The play Chandalika by Rabindranath Tagore is based on a Buddhist legend. Ananda, a disciple of the Buddha, once asked a girl of the lowest caste, a chandalika, for water. This simple act changed the girl, Prakriti. For the first time, she felt respected as a human being. She called it her “new birth.”

Prakriti wanted to dedicate herself to Ananda, but he remained detached. Hurt and humiliated, she forced her mother, who knew magic, to cast a spell on him. The spell was stronger than Ananda’s will, and he was drawn to her house, suffering in shame and torment. When Prakriti saw him degraded, she realised her mistake. He was no longer the noble monk who had given her self-respect. Filled with remorse, she begged forgiveness.

Her mother then revoked the spell but lost her life in doing so. Prakriti was left wiser but deeply saddened.

The play is not about lust but about dignity, pride, and self-realisation. It shows that true love means freedom, not possession. It also teaches that self-consciousness is good in moderation, but when mixed with pride it becomes destructive. Through suffering, Prakriti learns this hard truth, though at the cost of her mother’s life.

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Read and Find Out Q&A Chandalika by Rabindranath Tagore

1. How does Prakriti’s mother react when she hears of Prakriti’s encounter with the monk?

Answer (30–40 words):
Prakriti’s mother is shocked. She fears punishment for breaking caste rules. She cannot understand her daughter’s new feelings. She warns her not to trust monks’ words. She worries that spells may change Prakriti’s soul itself.

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2. Will Prakriti resign herself to her lot?

Answer (30–40 words):
No, she will not resign herself. She refuses to accept her life of humiliation. She insists that her mother must use spells to bring Ananda back. She believes her desire is stronger than religious mantras.

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3. Will the spell work? What will happen when Ananda is made to come?

Answer (30–40 words):
Yes, the spell works but with terrible results. Ananda suffers great torment as he struggles against it. At last, he comes weakened and broken. Horrified, Prakriti repents. The mother revokes the spell and dies in the process.

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Thinking about the Play

1. Why does something so ordinary and commonplace as giving water to a wayfarer become so significant to Prakriti?

Answer (50–60 words):
For Prakriti, giving water is a new birth. No one had ever accepted water from her before. Ananda treats her with dignity, saying all water is holy. This makes her realise her own worth as a human being. The simple act frees her from the lifelong shame of being untouchable.

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2. Why is the girl named Prakriti in the play? What are the images in the play that relate to this theme?

Answer (50–60 words):
The name “Prakriti” means nature. Like nature, she is both nurturing and destructive. Images of clouds, storms, rivers, and flowers reflect her emotions. The spell is called the “spell of the earth.” Her feelings rise and fall like seasons. Her name shows her link with elemental forces of creation and destruction.

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3. How does the churning of emotions bring about self-realisation in Prakriti even if at the cost of her mother’s life?

Answer (50–60 words):
Prakriti’s passion turns into selfish desire. She forces her mother to use magic. When Ananda arrives, broken and humiliated, she realises her mistake. She sees that true love means giving freedom, not possession. This painful learning costs her mother’s life. Yet, it redeems Prakriti, making her wiser and aware of her humanity.

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4. How does the mirror reflect the turmoil experienced by the monk as a result of the working of the spell?

Answer (50–60 words):
The mirror shows Ananda’s agony under the spell. His body appears surrounded by flames. His face shows torment, anger, and deep suffering. At times, he seems to curse himself. Prakriti sees her pain and his merging in the mirror. It symbolises how her desire drags him down from peace to turmoil.

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5. What is the role of the mother in Prakriti’s self-realisation? What are her hopes and fears for her daughter?

Answer (50–60 words):
The mother warns Prakriti against desire. Yet, she finally yields and casts the spell. She loves her daughter and hopes she may find happiness. At the same time, she fears disgrace and punishment. In the end, she sacrifices her own life to save Ananda. Her actions indirectly lead Prakriti to self-realisation.

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6. ‘Acceptance of one’s fate is easy. Questioning the imbalance of the human social order is tumultuous.’ Discuss with reference to the play.

Answer (160–180 words):
The play shows the conflict between accepting fate and questioning injustice. Prakriti is born an untouchable. Society expects her to accept humiliation quietly. Her mother also advises her to remain within limits. But when Ananda accepts water from her, she realises she is also a human being. This new awareness awakens pride and self-worth in her. She refuses to accept a life of shame and dares to challenge both caste rules and religion itself.

Her questioning, however, brings turmoil. She becomes restless and demands possession of Ananda. She forces her mother to use magic against the monk. This act disturbs the order of nature and results in suffering for all. Ananda faces torment, the mother loses her life, and Prakriti herself feels guilt and pain.

Through this, Tagore shows that questioning unjust systems is painful but necessary. Prakriti does not gain happiness, but she gains self-realisation. The play suggests that real change comes only when individuals resist oppression, even if it brings conflict and tragedy.

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Appreciation Q&A Chandalika by Rabindranath Tagore

1. How does the dramatic technique suit the theme of the play?

Answer (160–180 words):
The dramatic technique of Chandalika matches its theme of spiritual conflict. The play is written as a psychological drama, not a simple tale. It uses dialogue, song, and symbolic images to reveal Prakriti’s inner struggle. The well, the mirror, and the spells act as dramatic devices. They externalise her emotions and make the audience see her transformation.

The absence of divisions in acts makes the flow continuous, showing that the conflict is unbroken within her. The songs and chants express moods that cannot be spoken directly. The mother’s spells, the storm, and the mirror add intensity and suspense.

This technique suits the theme because the play is not about outward events but about the awakening of self-consciousness. The drama takes place mainly in Prakriti’s mind and heart. The use of contrast—light and darkness, storm and calm—brings her turmoil alive on stage. Thus, the dramatic form becomes a fitting vessel for Tagore’s exploration of love, pride, sin, and redemption.

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2. By focusing attention on the consciousness of an outcast girl, the play sensitises the viewer/reader to the injustice of distinctions based on the accidents of human birth. Discuss how individual conflict is highlighted against the backdrop of social reality.

Answer (160–180 words):
The play makes the reader feel the pain of caste discrimination through Prakriti’s experience. As an untouchable, she grows up with shame. When Ananda accepts water from her, she feels recognised for the first time. This small act challenges the social order that had denied her dignity.

Her individual conflict begins when she wants to hold on to that recognition. Society says she is impure, but her heart says she is human. She feels torn between the old belief of slavery and the new awakening of self-worth. Her desire for Ananda symbolises her longing for acceptance and equality.

The backdrop of social reality makes her struggle sharper. Religion and caste rules are against her. Her mother warns her not to cross boundaries. Yet Prakriti dares to rebel, and in doing so, she disturbs not only society but her own peace.

Through her conflict, Tagore exposes the cruelty of judging people by birth. The play shows how one individual’s awakening can question the entire social system.

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3. ‘I will enthrone you on the summit of all my dishonour, and build your royal seat of my shame, my fear and my joy’. Pick out more such examples of the interplay of opposites from the text. What does this device succeed in conveying?

Answer (160–180 words):
The play often uses opposites to express intense emotions. Prakriti speaks of being cursed all her life, yet she calls her meeting with Ananda a “new birth.” She compares little water in his hands to a “boundless sea.” She describes poison killing poison, curse fighting curse. The spell itself is shown as both creative and destructive.

Another striking example is when Prakriti says, “Without the churning, how can the well be cleansed?” Here, turmoil becomes a way to reach purity. The images of storm and fire against calm and light also reflect this duality.

This interplay of opposites conveys the complexity of her feelings. She is both uplifted and destroyed by her desire. Love is shown as both divine and selfish. The use of contrasts deepens the tragedy. It shows that human emotions are never simple—they are mixtures of joy and pain, purity and shame. Tagore’s language thus mirrors the contradictions of the human soul.

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4. ‘Shadow, mist, storm’ on the one hand, ‘flames, fire,’ on the other. Comment on the effect of these and similar images of contrast on the viewer/reader.

Answer (160–180 words):
The play uses vivid natural images to symbolise inner states. Shadow, mist, and storm suggest confusion, fear, and helplessness. They reflect Ananda’s turmoil under the spell and Prakriti’s restless desire. Flames and fire, in contrast, suggest passion, destruction, and also purification.

The clash between these images creates a powerful effect. The reader can feel the struggle as if nature itself were shaken. The storm mirrors Prakriti’s desire pulling Ananda down. The flames show both her burning passion and the destructive power of the spell. At the same time, fire also suggests cleansing, as when Prakriti realises her mistake.

These contrasts heighten the drama. They make inner conflict visible to the senses. The stage imagery keeps shifting from light to darkness, from calm to violence, which reflects the unstable emotions of the characters. For the viewer or reader, this creates both fear and pity, leading to a deeper understanding of Prakriti’s tragic journey.

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